Standing, Andrada (left) and Hubert Kungguniko (right); crouching, Meta (left) and Roy, aka Thérèse Muyaka (right) © Photo Jean Depara, Kinshasa, ca. 1950–65. Courtesy of Revue Noire
As part of a series exploring the significance of the Western genre and the ways in which the movies shape our understanding of the American West, Autry Curator Josh Garrett-Davis interviews Professor Ch. Didier Gondola about the story of the “tropical cowboys,” 1950s youth subcultures in the Belgian Congo who modeled themselves on cowboy movies that arrived from abroad.
Video
Interested in learning more about the films and ideas discussed in the interview?
To Read:
- Ch. Didier Gondola’s Tropical Cowboys: Westerns, Violence, and Masculinity in Kinshasa (Indiana University Press, 2016)
- For a history of the Belgian Congo try King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa, by Adam Hochschild
To Watch:
- Pony Express (1953), the film that inspired many of ‘les Bills’, directed by Jerry Hopper and starring Charlton Heston as “Buffalo Bill” Cody
- The Lone Ranger (1949–57) was another popular culture icon idolized by ‘les Bills’
- Le retour d’un aventurier (1966), a short film from Niger which demonstrates the influence of cowboy tropes elsewhere in Africa (and here is a version in French without subtitles)
Images (Click image for details)
Standing, Andrada (left) and Hubert Kungguniko (right); crouching, Meta (left) and Roy, aka Thérèse Muyaka (right) © Photo Jean Depara, Kinshasa, ca. 1950–65. Courtesy of Revue Noire
Andrada in full cowboy gear, with fake pistols. © Photo Jean Depara, Kinshasa, ca. 1950–65. Courtesy of Revue Noire
Meta and Thérèse (aka Roy). © Photo Jean Depara, Kinshasa, ca. 1950–65. Courtesy of Revue Noire
Banner image: Meta and Thérèse (aka Roy). © Photo Jean Depara, Kinshasa, ca. 1950–65. Courtesy of Revue Noire