Marshall McKay Seminar for Empowering Native Knowledge
Perspectives on Native Art and Museums
Friday April 22 – Saturday April 23
About the Event
Friday April 22 – Saturday April 23
Named in honor of Marshall McKay, former Chairman of the Yocha Dehe Wintun Nation Tribal Council and the first Native person to serve as Chair of the Autry’s Board, the Marshall McKay Seminar seeks to empower Native knowledge. It will address topics that impact Indian Country—and beyond.
This year’s inaugural seminar delves into the significant changes that have reshaped museums and their relationship to Native history, culture, and art. The two-day symposium, which will be livestreamed across Indian Country, will feature a variety of perspectives from Native artists, knowledge keepers, scholars, and museum professionals. Panels will explore how Native curators are changing the museum narrative, the role of tribal museums, and the interpretation of Native art, with a particularly deep dive into California Native art.
Friday, April 22
9:30 a.m. Opening Remarks
- Lynn Valbuena (San Manuel Band of Mission Indians)
Session 1: Opening Keynote: Native Presence in Museums
- W. Richard West, Jr. (Cheyenne), Autry Museum of the American West
Session 2: Native Curators in Context
Today there are more Native Americans working in museums than ever before. Native curators play a critical role in the interpretation and presentation of culture and this session will explore how they balance the needs of community and museum priorities.
- Patricia Marroquin Norby (Purépecha), Metropolitan Museum of Art
- heather ahtone (Choctaw/Chickasaw Nation), First Americans Museum
- Josie Lee (Ho-Chunk), Ho-Chunk Nation Museum and Cultural Center
Session 3: The Role of Tribal Museums
With over 200 tribal museums in the US, these institutions play an increasingly important role in the interpretation and presentation of their culture and addressing the needs of their communities. This session will explore the importance of tribal museums from a variety of perspectives.
- John Haworth, (Cherokee Nation) Association of Tribal Archives, Libraries, and Museums
- Delphine Baker, (Mandan, Hidatsa, and Arikara Nation) MHA Nation Interpretative Center
- Steven Karr, Agua Caliente Cultural Museum
3:15 p.m. Break
Session 4: Closing Keynote: Looking Forward
- James Pepper Henry (Kaw/Muscogee), First Americans Museum
4:00 p.m. End of Day
Saturday, April 23
9:30 a.m. Doors Open
10:00 a.m. Opening Remarks
Session 1: Defining Native Art
Native American art serves a variety of audiences in multiple ways. From the collector to the museum/art gallery and tribal members, defining Native art can be challenging. This session will explore the diversity of Native art from three different perspectives.
- Ashley Holland (Cherokee Nation), Art Bridges Foundation
- Nancy Mithlo (Chiricahua Apache), University of California, Los Angeles
- Celestina Castillo (Tohono O’odham), United American Indian Involvement
- Dallin Maybee (Seneca and Northern Arapaho)
Session 2: Reflections on California Native Art
At a national level, California is often missing from the Native American art discussion. The rich and varied landscape of California Native art is important, and this session will explore the texture of the works that have been and continue to be produced by California Native artists.
- Amanda Wixon (Chickasaw Nation), Autry Museum of the American West
- Mark Johnson, San Francisco State University
- Clint McKay (Dry Creek Pomo, Wappo and Wintun)
- Leah Mata Fragua (Northern Chumash Tribe)
- Weshoyot Alvitre (Tongva)
Session 3: Closing Keynote: Marshall McKay’s Legacy and Relationship to California Native Art
- David Cartwright, Autry Museum of the American West
4:00 p.m. End of Public Events