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John Buxton was born and raised in the small town of Oxford, North Carolina, where from childhood he excelled at drawing and painting. After two years of general college in his home state, he traveled to Los Angeles and earned a degree in illustration from the Art Center College of Design.

During his successful thirty-one-year illustration career, he illustrated two books for the National Geographic Society, thereby developing a fascination with documentation and truth in art. In 1994 he left illustration and began painting subjects of more personal interest.

Buxton soon began exhibiting his new oil paintings, placing two works in the Birds in Art show at the Leigh Yawkey Woodson Art Museum. The paintings were later reproduced in The Best of Wildlife Art 2 by Rachel Rubin Wolf. The Society of Animal Artists elected him to membership and invited him to their national exhibitions, and he exhibited with the American Academy of Equine Artists before settling into his true niche, historical art.

Feature articles on Buxton and his art have appeared inAmerican’s First Freedom, Art of the West, U.S. Art, andWestsylvania magazines, and The Artists awarded his painting How Many Beaver? first place in its art competition’s 2005 Portrait/Figure Division. He has participated in the Autry National Center's Masters of the American West Fine Art Exhibition and Sale, the miniature shows at the Gilcrease Museum, Settlers West Galleries Inc., and the Quest for the West Show and Sale , where he received the 2009 Patrons' Choice Award. He is a member of Oil Painters of America.

Buxton and his wife, Noralee, have two children, Bryan and Megan, and they are blessed with five grandchildren

John Buxton is represented by Settlers West Galleries Inc., Tucson, Arizona. Giclée reproductions of his work are available through Greenwich Workshop dealers.

artwork

3 of 3 artworks shown below.

  • A meeting at this cool spring provides a warrior the opportunity to seek counsel of an elder. The elder is one of influence and much respect, denoted by his possession of prized medals and his obvious knowledge of many things. Peace or treaty medals were given by the Europeans to specific chiefs or men of power within Native nations. A sign of amity between negotiating parties, the medals—which often sealed major agreements of mutual understanding—became symbols of power and influence among those who possessed them and a sign of leadership among their people.

    John Buxton

    Counsel at the Spring, oil on linen, 28 x 24 in. (SOLD)

    A meeting at this cool spring provides a warrior the opportunity to seek counsel of an elder. The elder is one of influence and much respect, denoted by his possession of prized medals and his obvious knowledge of many things. Peace or treaty medals were given by the Europeans to specific chiefs or men of power within Native nations. A sign of amity between negotiating parties, the medals—which often sealed major agreements of mutual understanding—became symbols of power and influence among those who possessed them and a sign of leadership among their people.

  • John Buxton

    Land of the Iroquois, oil on linen, 18 x 24 in. (SOLD)

  • John Buxton

    Going to Treaty, oil on linen, 9 x 12 in. (SOLD)