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Homenaje a Selena (Homage to Selena)
pays tribute to the Mexican American singer Selena
(Quintanilla Perez), who was killed by a fan in 1995 at the age of 23. Homenaje means "tribute" or "homage."
For the Day of the Dead we build altars (homenaje) for family members, and even for a favorite boxer or movie
star. This lithograph is really an image about life: Selena is singing and dancing, her mouth open, head
thrown back, belting out a song. Her skirt billows as if the emotion of her song is so great it's blown around
her. Even the floor undulates with the emotion of her pulsating song.
In Hispanic culture, the skeleton image, calavera, is both personal and cultural. Death is natural, but
in America it's considered something to be feared. Most people do anything to pretend it's not happening.
In Mexico, it's the other way. The Day of the Dead (October 31-November 2) is a time when the whole country
becomes involved in a dialogue with death. Cemeteries are filled with families, candles, food and flowers;
people stay all night. We make jokes about death. Our relationship is much more intimate. For us, death is
just part of the cycle of life.
--Anita Rodriguez
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Anita Rodriguez's
brightly hued tribute to the Mexican American
pop singer similarly reclaims the extensive history of Hispanic music and musicians in the West, as well as
the traditional religious rituals and images particular to Southwestern faith communities. Born and raised
in Taos--her father was a tenth-generation resident of New Mexico, her mother of Anglo-Irish heritage--Rodriguez
in her large, colorful paintings (some up to six feet in height) embodies the mixed racial, ethnic, and
cultural sensibilities of the American West.
The skeletal image is Selena herself, singing and dancing in death much as she did in life, posed in an
archway evoking the space and sensibility of a church, or the kinds of elaborate shrines and home altars
that Hispanic women traditionally build in memory of family members and beloved secular and sacred figures.
--Erika Doss
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