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When
I did this print I was thinking particularly about the West,
since this is a print for the Women of the West Museum. Jackstraw refers to something or someone perceived
of as worthless or barren. While the far West was being exuberantly settled, the U.S. government considered
the midsection relatively worthless and relegated it to the Native people. For me, this land is important.
It is what shaped and what sustained people.
This work was a continuation of looking at a particular geography of the West. The colors certainly
reflect that. I was thinking of the prairie--the colors in the print remind me of the high desert country.
This is the color that comes to mind when I think of the word jackstraw. It is also the texture I think of when
I think of prairie--kind of grubby, bleached out, dry grass.
--Emmi Whitehorse
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Likewise
picturing the intertwined cultural and spiritual
traditions that existed prior to conquest and colonization, Emmi Whitehorse's Jackstraw embodies the essence
of what has long sustained Westerners: the land.
Born on the Navajo reservation in northwest New Mexico,
Whitehorse draws on her earliest memories of playing outdoors, tending sheep, and gathering plants for the
dyes used in her grandmother's weavings to evoke the fullness and variety of the Western landscape, from
its vast vistas to its microscopic organic materials. Her glowing, large-scale drawings and paintings
bridge the cultural divide between native traditions and modern art techniques and sensibilities,
revealing the dynamic and permeable nature of the West.
--Erika Doss
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